An Ephemeral Caress

The Art Columnist

January 3, 2022

This research paper aims to approach the cinecamera as a tangible and tactile agency through

an exploration of L’Eclisse (1962) by Michelangelo Antonioni and Le Mépris (1963) by Jean-
Luc Godard.

An Ephemeral Caress by Amanda Robusti

The Art Columnist

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