This essay focuses on the potential challenges and trajectories for sustainable development of museums in the state of the global climate crisis. How museums, as educators and guardians of heritage, could potentially engage with the Anthropocene not only through...

This research paper aims to approach the cinecamera as a tangible and tactile agency through an exploration of L’Eclisse (1962) by Michelangelo Antonioni and Le Mépris (1963) by Jean-Luc Godard.     An Ephemeral Caress by Amanda Robusti   

  This essay explores the extent to which the dead have sold their right to control their remembrance, by discerning the legal provisions relevant to digital remains made public by Facebook. Lara Bronner-The Facebook Graveyard: Have we sold our right to be...

At a time when people are using Amazon more than ever, Sophia Arnold explores ways of resisting the surveillance capitalism that embodies the company by looking at Joanna Moll’s The Hidden Life of an Amazon User.

Ioannis Andronikidis’s short essay explores the role of performative acts such as the renaming and infrastructural reframing of an institution, in reshaping monumentality.

‘The imaginative architecture of pleasure and delirium of nightclubs represents a transitory place of utopia in real life. But which kind of politics of partying are embodied in the architecture of clubs? What are their potentiality of transformation for society?’

Tom Lisboa explores the notion of coexistence in the practice of Brazilian photographer Alexandre Sequeira.

Tackling themes of translation, absurdity, and gentrification, the single-channel video work Dear Yu Chu 玉珠 by Pei Chi Wu rigorously examines archival material and menial histories shared within a family through the lens of found letters from a second hand shop in Taiwan.

Yasmin Morgan explores the fluidity and seamlessness of water in its ‘techno-scientific’ manifestations, analysing ‘net-art’ pieces that critically engage with the use of water’s transparency as well as its blueness co-opted by tech companies, among other entities, to represent specific semantics.

Ana Flores presents a portfolio of three essays on the biopolitical utopian work of interdisciplinary artist Mariko Mori.

Fiona argues using critical examples of how Global South children’s images are used to make supposed horrors concrete for potential state intervention.

Almost all aspects of our lives are now lived out online in one way or another, including artistic and creative expression. Edward John takes a look at how the platforms we depend on play a role in censoring art and the progressive politics its often wedded to.

Producing and making art from, about, and within nature – Sakiya, a progressive academy in Palestine which combines art, science, and technology.

‘Down with all hypotheses that have allowed belief in a real world.’ —— Friedrich Nietzsche. Yuhang Zhang’s takes a look at semiotics in Tomita Katusya’s ‘Tenzo’ (shown at the ‘In Focus: Tomita Katsuya’ retrospective – ICA, December 2019).

In this essay, Krupa analyzes the positionality and privilege of the filmmaker as they attempt to assess hegemonic ideals in the process of creating decolonial film.

A foray into Tomás Saraceno’s eight-legged working and thinking process.

An essay looking at different modes of embodiment in these two ideological concepts, and their ways of shifting our usual perceptions of spatio-temporal realities.

As part of an interdisciplinary discourse, Lara Pereira’s paper seeks cruciality in understanding rifts between people and their creations – and subsequent psychological traumas – as a result of Eurocentric institutions.

NS Harsha is based in Mysore and works in many media including painting, sculpture, site-specific installation, and public works.

Reviewing the Royal Academy’s new ambitious project — Antony Gormley’s exhibition features the artist’s early and recent works, highlighting its epic scale.

Suzanne Heintz’s work, described as photography, theatre, and social critique, is challenging the popular vision of a “fulfilled life”.

A look at Fabio Da Motta´s gay and glamorous bondage scenes.

One perspective on reading T.J. Demos Against the Anthropocene: Visual Culture and Environment Today.

Reflections on art-making process in contemporary art and the curatorial power.

Exploring the representation of the female sex in the work of Pipilotti Rist and Luce Irigaray.

Monika Milewska identifies Open Jazdów as a model for an alternative production of social space in contemporary urban environments.

An insight into Emily Murayama’s studio, stimulating our senses.

An analysis of the representation of women towards contemporary society in relation to feminism and the image of the self.

The theories of Baruch Spinoza and Arne Naess resonate with the increasing importance in discussions on climate change and Epigenetics.

Positioning to be a research lab, Exposed Art Projects presents a new ongoing show questioning the tangibility of touching policy.

Anthropological approach to the study of images reveals that images do not only represent the society; images are the society.

Artie Vierkant’s post-internet art plays with our expectations and provokes discussion.

A cultural review of Jordanna Kalman’s Invisible series: How personal loss manifests itself in photography.